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home·artworks·Parto da viola Bom Ménage
Parto da viola Bom Ménage by Amadeo de Souza-Cardoso

plate no. 1843

Parto da viola Bom Ménage

Amadeo de Souza-Cardoso, 1916

oilCubismstill lifeviolinstill lifefiguregeometric shapestablefruit
some experience helpful

Recreating this painting will help students understand how to break down complex subjects into simple geometric forms and explore color relationships within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the main objects (violin, figure, fruit).

  2. step 02

    Block in the large color areas using simplified shapes, ignoring details for now.

  3. step 03

    Refine the shapes and add more detail to the objects, paying attention to the geometric forms.

  4. step 04

    Introduce darker values to create contrast and define the edges of the shapes.

  5. step 05

    Add highlights and lighter values to create depth and dimension.

  6. step 06

    Mix secondary colors to create subtle variations and transitions between color blocks.

  7. step 07

    Add details like the violin strings, the figure's features, and the patterns on the tablecloth.

  8. step 08

    Review the painting and make any necessary adjustments to the composition, color, and value.

color palette

primary · yellow ochre · cerulean blue · cadmium red · ivory black

secondary · sap green · violet · burnt sienna

Mix greens by combining blue and yellow. Create browns and earth tones by mixing red, yellow, and black. Use white to lighten colors and create highlights.

techniques

  • ·geometric abstraction
  • ·color blocking
  • ·hard-edge painting
  • ·limited palette
  • ·layering

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors and losing the unity of the palette.
  • →Not creating enough contrast between light and dark areas.
  • →Ignoring the underlying structure of the composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits (for cleaning brushes)

optional

  • ·Painting medium
  • ·Easel
  • ·Ruler

Use a medium-grain canvas for best results. Acrylic paints are easier to clean up, while oil paints offer richer colors and blending capabilities.

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oil painting for beginners →how to learn by studying the masters →
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