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home·artworks·Paris, Montmartre, La Rue Des Abbesses
Paris, Montmartre, La Rue Des Abbesses by Pierre-Jacques Pelletier

plate no. 9237

Paris, Montmartre, La Rue Des Abbesses

Pierre-Jacques Pelletier

pastelImpressionismcityscapecityscapebuildingsstreetskytreesfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and simplifying complex architectural forms. It also provides practice in capturing the mood of a scene through subtle color variations and loose brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and street, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of light blue and gray.

  3. step 03

    Establish the main value masses of the buildings using a limited palette of earth tones and grays.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes.

  5. step 05

    Paint the trees with loose, gestural strokes, varying the greens and browns.

  6. step 06

    Add figures and street details with quick, suggestive strokes.

  7. step 07

    Refine the values and colors throughout the painting, paying attention to the overall atmosphere.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · burnt sienna · sap green

Mix various shades of gray by combining white with small amounts of raw umber, ultramarine blue, and burnt sienna. Use yellow ochre and burnt sienna to create warm tones for the buildings.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·simplification

common pitfalls

  • →Overworking details
  • →Ignoring perspective
  • →Using colors that are too saturated
  • →Creating muddy colors by over-mixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a medium texture to allow for broken color effects. Consider using a limited palette to simplify the color mixing process.

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related guides

color theory for painters →how to learn by studying the masters →
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