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home·artworks·Paris, la Seine sous la Neige
Paris, la Seine sous la Neige by Pierre-Jacques Pelletier

plate no. 5468

Paris, la Seine sous la Neige

Pierre-Jacques Pelletier

canvas, oilImpressionismlandscapetreessnowriverskylandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and limited palette color mixing. It's a good exercise in capturing a mood with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line and the placement of the trees and river.

  2. step 02

    Block in the sky with a thin layer of light gray, blending it slightly darker towards the horizon.

  3. step 03

    Establish the dark mass of the trees on the left side, using a mix of dark browns and grays.

  4. step 04

    Paint the snow-covered ground with varying shades of white and gray, using short, broken brushstrokes.

  5. step 05

    Define the river with horizontal strokes of gray, reflecting the sky's color.

  6. step 06

    Add subtle details to the trees and snow, suggesting texture with dry brush techniques.

  7. step 07

    Soften edges and blend areas to create a sense of atmosphere.

  8. step 08

    Add final highlights to the snow and sky to enhance the light.

color palette

primary · titanium white · ivory black · raw umber

secondary · burnt umber · payne's gray

Achieve the various grays by mixing white and black in different proportions. Add small amounts of raw umber or burnt umber to warm up the grays. Use Payne's gray to darken the shadows.

techniques

  • ·dry brush
  • ·scumbling
  • ·atmospheric perspective
  • ·limited palette mixing
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Creating too much contrast, resulting in a harsh, unrealistic scene.
  • →Using pure white for the snow, which can look flat and unnatural.
  • →Neglecting the subtle color variations in the sky and snow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 or similar)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette knife
  • ·linseed oil
  • ·palette

optional

  • ·burnt umber oil paint
  • ·payne's gray oil paint
  • ·odorless mineral spirits
  • ·painting medium

Use a canvas with a smooth texture for easier blending. Consider toning the canvas with a thin wash of raw umber before starting.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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