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home·artworks·Pardes Revisited
Pardes Revisited by Samuel Bak

plate no. 9022

Pardes Revisited

Samuel Bak, 1994

oilSurrealismlandscapearchitectureruinssmokelandscapetreesky
experienced study

Recreating this painting will help students develop skills in perspective, rendering textures of old structures, and creating atmospheric effects with smoke and clouds. Students will also learn to balance detail with abstraction to create a surreal atmosphere.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the composition, focusing on the perspective and placement of the architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Begin to refine the details of the architecture, paying attention to the textures and patterns of the stone.

  4. step 04

    Add the tree and surrounding vegetation, varying the greens and browns to create depth.

  5. step 05

    Create the smoke effect by layering washes of gray and brown, blending the edges to create a soft, ethereal feel.

  6. step 06

    Refine the sky, adding subtle variations in color and value to create a sense of atmosphere.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the forms.

  8. step 08

    Make final adjustments to the composition, ensuring that all elements work together to create a cohesive and compelling image.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · payne's gray · yellow ochre · cadmium red light

Mix various shades of brown and gray by combining burnt umber, raw sienna, and payne's gray with titanium white. Use yellow ochre and cadmium red light to add warmth to the earth tones.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Getting lost in the details and losing sight of the overall composition.
  • →Creating a flat, lifeless image by not varying the values and colors.
  • →Making the smoke look too solid or opaque.
  • →Inaccurate perspective

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve flow.

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