apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Parable of the Sower
Parable of the Sower by Pieter Bruegel the Elder

plate no. 4084

Parable of the Sower

Pieter Bruegel the Elder, 1557

oil, panelNorthern Renaissancereligious paintinglandscapemountainsrivertreesfigurestown
experienced study

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. It will also teach them how to render complex landscapes with many details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into foreground, middle ground, and background.

  2. step 02

    Establish the horizon line and the placement of major elements like the mountains, river, and town.

  3. step 03

    Block in the sky and the water with thin washes of color, establishing the atmospheric perspective.

  4. step 04

    Paint the distant mountains with cool, muted tones, gradually increasing the saturation and detail as you move towards the foreground.

  5. step 05

    Add the town and the figures along the riverbank, paying attention to their relative scale.

  6. step 06

    Paint the trees and foliage in the middle ground, using a variety of greens and browns.

  7. step 07

    Focus on the foreground elements, such as the figure of the sower and the details of the landscape.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red · sap green

Achieve the muted tones of the distant mountains by mixing blues, browns, and whites. Create the greens for the foliage by mixing blues, yellows, and browns.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·scumbling
  • ·layering
  • ·dry brushing

common pitfalls

  • →Failing to establish a clear sense of depth.
  • →Overworking the details in the background.
  • →Using colors that are too saturated.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouching varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley