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home·artworks·Parable of the Prodigal Son
Parable of the Prodigal Son by Jan van Hemessen

plate no. 9777

Parable of the Prodigal Son

Jan van Hemessen, 1536

oil, panelNorthern Renaissancereligious paintingfiguresarchitecturelandscapetableinteriorreligious scene
experienced study

Recreating this painting will help students develop skills in rendering complex figure groupings, creating depth through atmospheric perspective, and understanding the use of light and shadow to model forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures and architectural elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes of the figures, architecture, and landscape.

  3. step 03

    Establish the light source and begin to develop the values, paying attention to the highlights and shadows on the figures and objects.

  4. step 04

    Refine the details of the figures, including the facial features, clothing, and hands.

  5. step 05

    Develop the architectural details, including the columns, buildings, and other structures.

  6. step 06

    Add details to the background landscape, using atmospheric perspective to create depth.

  7. step 07

    Glaze and scumble to refine colors and values, creating a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ochre · burnt umber · ivory black · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of brown and gray by combining burnt umber, ivory black, and titanium white. Use glazes of cadmium red and ultramarine blue to create subtle variations in color.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early
  • →Failing to establish a clear light source
  • →Not creating enough depth in the background
  • →Overworking the painting

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (ochre, burnt umber, ivory black, titanium white, cadmium red, ultramarine blue)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Turpentine or mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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