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Palermo by Fyodor Bronnikov

plate no. 5551

Palermo

Fyodor Bronnikov

oilAcademicismcityscapecityscapemountainstreesskywaterarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in rendering detailed landscapes and architectural elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the mountains, buildings, and prominent tree.

  2. step 02

    Establish the horizon line and divide the canvas into foreground, middle ground, and background.

  3. step 03

    Block in the sky with a light blue, gradually lightening towards the horizon.

  4. step 04

    Paint the distant mountains with muted blues and grays, using lighter values for the more distant peaks.

  5. step 05

    Add the middle ground, including the city and fields, using a mix of greens, browns, and grays.

  6. step 06

    Paint the foreground elements, such as the wall, plants, and the tree, with more detail and richer colors.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine details and adjust colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · yellow ochre · raw umber · titanium white

secondary · burnt sienna · cadmium yellow · viridian green

Mix blues and whites for the sky, adding a touch of yellow ochre near the horizon. Use raw umber and yellow ochre for the earth tones, and mix greens with blues and yellows. Add white to lighten colors and create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·color layering
  • ·blending
  • ·dry brushing
  • ·scumbling

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Using colors that are too saturated, making the painting look unnatural.
  • →Neglecting the importance of value contrast, resulting in a flat image.
  • →Failing to blend colors properly, creating harsh transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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