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home·artworks·Palaestra
Palaestra by Dorothea Tanning

plate no. 9774

Palaestra

Dorothea Tanning, 1947

oilSurrealismsymbolic paintingfiguresinteriorhallwaydressesshadowdoor
experienced study

Recreating this painting will help students develop skills in depicting complex figures in perspective and understanding subtle color relationships to create depth and atmosphere. It also provides practice in rendering fabric and creating a surreal, dreamlike quality.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the perspective of the hallway and the placement of the figures.

  2. step 02

    Establish the main color blocks for the walls, floor, and figures, using thin washes of color.

  3. step 03

    Begin building up the values and details in the figures, focusing on the light and shadow patterns.

  4. step 04

    Develop the details of the dresses and fabric, paying attention to the folds and drapery.

  5. step 05

    Add the details of the hallway, including the doors, shadows, and other elements.

  6. step 06

    Refine the colors and values throughout the painting, ensuring a harmonious and balanced composition.

  7. step 07

    Add final details and highlights to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a luminous effect.

color palette

primary · red ochre · titanium white · ultramarine blue

secondary · burnt umber · yellow ochre · sap green

Mix various shades of skin tones using red ochre, white, and a touch of yellow ochre or burnt umber. Achieve the pale blues of the fabric by mixing white with a small amount of ultramarine blue.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·perspective

common pitfalls

  • →Getting the perspective of the hallway wrong.
  • →Failing to capture the subtle color variations in the figures and fabric.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Not paying enough attention to the light and shadow patterns.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·retouch varnish
  • ·painting medium
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (18x24 or larger) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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