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Painting by Rosalba Carriera

plate no. 2048

Painting

Rosalba Carriera

oilRococoportraitportraitfigurewomandresspalettebrush
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering soft, diffused light. It also provides practice in color mixing for skin tones and delicate fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, paying attention to the angle of the head and the placement of features.

  2. step 02

    Establish the background color with a thin, even layer of paint.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, focusing on the overall values.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the hair, using small brushstrokes to create texture and movement.

  6. step 06

    Add the details of the dress, including the folds and highlights.

  7. step 07

    Paint the hand, palette, and brush, paying attention to the light and shadow.

  8. step 08

    Add final details and highlights to the face and clothing, and adjust the overall composition as needed.

color palette

primary · titanium white · yellow ochre · ultramarine blue · burnt umber

secondary · alizarin crimson · ivory black · cerulean blue

Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Use ultramarine blue and titanium white for the dress, adding small amounts of other colors to create subtle variations.

techniques

  • ·blending
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·color mixing

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or unnatural appearance.
  • →Failing to capture the subtle shifts in value and color, leading to a flat or lifeless portrait.
  • →Neglecting the background, which can detract from the overall composition.
  • →Getting the proportions wrong in the initial sketch, which can be difficult to correct later.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. A smooth canvas surface will help achieve the soft, blended look of the original painting.

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oil painting for beginners →how to learn by studying the masters →
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