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home·artworks·Over the Hills and Far Away
Over the Hills and Far Away by William Merritt Chase

plate no. 6358

Over the Hills and Far Away

William Merritt Chase, 1897

oil, canvasImpressionismlandscapelandscapefieldskycloudstreespath
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create depth and texture in a landscape. It also provides practice in capturing the subtle nuances of light and shadow in an overcast sky.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the horizon line and the placement of major elements.

  2. step 02

    Establish the sky with broad strokes, blending blues, whites, and grays to create a cloudy effect.

  3. step 03

    Block in the distant landscape with muted greens and blues to suggest atmospheric perspective.

  4. step 04

    Develop the middle ground with varying shades of green and brown, adding details like the path and clumps of vegetation.

  5. step 05

    Focus on the foreground, using broken color and visible brushstrokes to create texture and depth.

  6. step 06

    Add highlights and shadows to define the forms and create a sense of light.

  7. step 07

    Refine the details, such as the trees and the path, using smaller brushes.

  8. step 08

    Review and adjust the overall composition, ensuring a harmonious balance of color and value.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · sap green · raw sienna · cadmium yellow

Mix blues and whites with small amounts of yellow ochre to create the sky. Use combinations of yellow ochre, burnt umber, and sap green for the various greens in the landscape. Add white to lighten values and create atmospheric perspective.

techniques

  • ·broken color
  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·scumbling
  • ·dry brushing

common pitfalls

  • →overblending the colors, resulting in a flat, lifeless effect
  • →neglecting the importance of value contrast in creating depth
  • →overworking the details, losing the spontaneity of the impressionistic style
  • →not paying attention to atmospheric perspective, making the distant landscape appear too sharp

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette
  • ·linseed oil
  • ·mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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