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home·artworks·Our Lady of the Seven Sorrows
Our Lady of the Seven Sorrows by Bernard Van Orley

plate no. 2351

Our Lady of the Seven Sorrows

Bernard Van Orley

oilNorthern Renaissancereligious paintingfigurereligious scenehalocloudsportraitsnarrative
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering drapery and complex compositions.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the central figure and the placement of the surrounding circular scenes.

  2. step 02

    Block in the main colors of the central figure, focusing on the dark green robe and the skin tones.

  3. step 03

    Begin to add details to the face, paying close attention to the shading and highlights to capture the expression.

  4. step 04

    Paint the gold halo using thin, even strokes to create a radiating effect.

  5. step 05

    Start working on the circular scenes, one at a time, blocking in the main colors and shapes.

  6. step 06

    Add details to each scene, focusing on the figures and their expressions.

  7. step 07

    Paint the surrounding clouds, using soft, blended strokes to create a sense of depth.

  8. step 08

    Refine the details and add any final touches.

color palette

primary · ivory black · yellow ochre · raw umber · titanium white

secondary · cadmium red · viridian green · gold

Achieve the dark green robe by mixing ivory black and viridian green. Create skin tones by mixing yellow ochre, raw umber, cadmium red, and titanium white.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·rendering drapery

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details in the circular scenes.
  • →Failing to create a sense of depth in the clouds.
  • →Not capturing the emotional expression of the central figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a medium to thin the paints for glazing.

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