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home·artworks·Otway, Third Baron Desart, Later First Viscount and First Earl of Desart
Otway, Third Baron Desart, Later First Viscount and First Earl of Desart by Pompeo Batoni

plate no. 2721

Otway, Third Baron Desart, Later First Viscount and First Earl of Desart

Pompeo Batoni, 1769

oilRococoportraitportraitfigureclothingarchitecturelandscapecolumn
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fine details in clothing and accessories. It also provides practice in creating atmospheric perspective in the background landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and the main elements of the background.

  2. step 02

    Establish the overall value structure by blocking in the dark and light areas with thin washes of color.

  3. step 03

    Start painting the background, focusing on creating depth and atmospheric perspective.

  4. step 04

    Move on to the figure, beginning with the face and hands, carefully mixing skin tones and rendering the features.

  5. step 05

    Paint the clothing, paying attention to the folds and drapery, and the details of the uniform.

  6. step 06

    Add the highlights and shadows to create form and dimension.

  7. step 07

    Refine the details of the face, clothing, and background.

  8. step 08

    Add final glazes to unify the colors and create a sense of depth.

color palette

primary · cadmium red · titanium white · ivory black · yellow ochre

secondary · ultramarine blue · burnt umber · gold

Skin tones are achieved by mixing white, yellow ochre, red, and a touch of black. The red uniform is a mix of cadmium red and a touch of black for shadows. The background uses muted greens and blues, mixed with umber and white, to create atmospheric perspective.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Inaccurate proportions in the figure.
  • →Overly saturated colors, especially in the background.
  • →Lack of depth and atmospheric perspective.
  • →Poor blending of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for the painting.

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