apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On Time Off Time
On Time Off Time by Dorothea Tanning

plate no. 8981

On Time Off Time

Dorothea Tanning, 1948

oilSurrealismsymbolic paintingarchitecturesmokefirefiguresunflowerwindow
experienced study

Recreating this painting will help students develop skills in rendering complex forms like smoke and fire, as well as creating a surreal and dreamlike atmosphere through color and composition. It will also help with understanding how to create depth and perspective in a somewhat abstract setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic structure of the architectural elements, paying attention to perspective.

  2. step 02

    Block in the large areas of color: the sky, the ground, and the general tones of the smoke and fire.

  3. step 03

    Begin to refine the shapes of the smoke, using layers of lighter and darker values to create volume.

  4. step 04

    Add the details of the sunflower and the figure in the window.

  5. step 05

    Develop the fire, using reds, oranges, and yellows to create a sense of heat and movement.

  6. step 06

    Refine the architectural details, adding shadows and highlights to create depth.

  7. step 07

    Add the text 'On Time Off Time' to the window frame.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and surreal atmosphere.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red · cadmium yellow · ivory black

Mix various shades of brown and ochre by combining yellow ochre, burnt umber, and white. Achieve the smoke's gray tones by mixing white with small amounts of black and blue. Create the fire's vibrant colors by blending cadmium red, cadmium yellow, and a touch of burnt umber.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·blending

common pitfalls

  • →Getting the perspective of the architectural elements wrong.
  • →Making the smoke look flat and lifeless.
  • →Failing to create a sense of depth and atmosphere.
  • →Overworking the details and losing the overall surreal effect.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red, cadmium yellow, ivory black)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte