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home·artworks·On the Way to the Fields
On the Way to the Fields by Marianne Stokes

plate no. 5742

On the Way to the Fields

Marianne Stokes

oilArt Nouveau (Modern)genre paintingchildrenfieldfigureslandscapegrassclothing
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and understanding atmospheric perspective. It also provides practice in rendering realistic skin tones and clothing folds.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the main areas of color: sky, field, figures' clothing and skin.

  3. step 03

    Establish the light and shadow patterns on the figures, paying attention to the direction of the light source.

  4. step 04

    Refine the details of the figures' faces and clothing, adding subtle variations in color and texture.

  5. step 05

    Add the details of the field, including the grass, flowers, and other vegetation.

  6. step 06

    Soften edges and blend colors to create a sense of atmosphere.

  7. step 07

    Add final highlights and details to enhance the realism of the painting.

  8. step 08

    Varnish the painting to protect the surface and enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white · ivory black

secondary · sap green · cadmium yellow · raw sienna · alizarin crimson

Mix greens by combining yellow ochre, sap green, and burnt umber. Achieve skin tones by mixing titanium white, yellow ochre, and a touch of alizarin crimson. Darken colors with ivory black or burnt umber.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the importance of edges and transitions.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (yellow ochre, burnt umber, titanium white, ivory black, sap green)
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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