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home·artworks·On the Riva Dei Schiavoni a procession in Venice
On the Riva Dei Schiavoni a procession in Venice by Ludwig Passini

plate no. 8186

On the Riva Dei Schiavoni a procession in Venice

Ludwig Passini, 1873

watercolor, paperAcademicismgenre paintingbuildingswaterfiguresboatsprocessioncityscape
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, as well as understanding atmospheric perspective and color mixing for realistic skin tones and architectural details.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch to establish the overall composition and perspective.

  2. step 02

    Block in the main shapes and colors of the buildings, water, and boats using thin washes.

  3. step 03

    Establish the light source and begin to build up the values, focusing on the shadows and highlights.

  4. step 04

    Start adding details to the figures, working from general shapes to more specific features.

  5. step 05

    Pay attention to the colors and values of the figures in the foreground versus the background to create depth.

  6. step 06

    Add details to the architectural elements, such as windows, doors, and decorative features.

  7. step 07

    Refine the water reflections, paying attention to the distortion and movement of the water.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · cadmium red · viridian green · raw umber

Achieve skin tones by mixing yellow ochre, burnt sienna, and a touch of red with white. Create variations in the water by mixing ultramarine blue with green and white. Use raw umber and burnt sienna for the buildings, adjusting the values with white and blue.

techniques

  • ·atmospheric perspective
  • ·figure drawing
  • ·watercolor washes
  • ·dry brushing
  • ·color mixing

common pitfalls

  • →getting lost in the details too early
  • →overworking the colors
  • →not establishing a clear light source
  • →inaccurate proportions of figures

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (size 1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve various effects.

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