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home·artworks·On the Canal, New Hope
On the Canal, New Hope by Robert Spencer

plate no. 3252

On the Canal, New Hope

Robert Spencer, 1916

oilImpressionismcityscapebuildingscanalfigureswaterboatshouses
some experience helpful

Recreating this painting will help students develop skills in impressionistic brushwork and color mixing to create atmospheric perspective. It also provides practice in depicting architectural forms with loose, expressive strokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, canal, and figures, paying attention to perspective.

  2. step 02

    Establish the main color blocks for the buildings, water, and sky using thin washes.

  3. step 03

    Begin layering thicker paint with visible brushstrokes to define the textures of the buildings and ground.

  4. step 04

    Mix and apply various shades of green, brown, and blue to create the impression of light and shadow on the buildings.

  5. step 05

    Use short, broken strokes to depict the reflections in the water.

  6. step 06

    Add details to the figures and boats, using small brushes and careful observation.

  7. step 07

    Refine the overall composition by adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · Prussian blue · Yellow ochre · Burnt umber · Titanium white

secondary · Cadmium red · Viridian green · Payne's gray

Achieve the muted greens by mixing yellow ochre and Prussian blue, and adjust with white. Create the brick tones by mixing burnt umber and cadmium red. Use Payne's gray to darken shadows.

techniques

  • ·Impasto
  • ·Broken color
  • ·Scumbling
  • ·Layering
  • ·Wet-on-dry

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Using colors straight from the tube without mixing.
  • →Ignoring the importance of value contrasts.
  • →Failing to establish a clear focal point.

materials

surface · Stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Oil paints
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Rags

optional

  • ·Retouch varnish
  • ·Painting medium
  • ·Easel

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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