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home·artworks·On the Bridge (Ober-Weimar)
On the Bridge (Ober-Weimar) by Lyonel Feininger

plate no. 1774

On the Bridge (Ober-Weimar)

Lyonel Feininger, 1913

oilCubismgenre paintingbridgefiguresbuildingstreessky
some experience helpful

Recreating this painting will help students practice simplifying complex forms into geometric shapes and using a limited color palette to create a cohesive composition. It also encourages experimentation with visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the angles and proportions of the bridge, buildings, and figures.

  2. step 02

    Block in the large areas of color, starting with the sky and the dominant colors of the buildings and bridge.

  3. step 03

    Mix the various shades of gray and blue for the bridge, paying attention to the light and shadow.

  4. step 04

    Add the darker tones to define the edges and create depth.

  5. step 05

    Paint the figures in simple, bold strokes, using black and dark brown.

  6. step 06

    Add the trees and other details, using a dry brush technique to create texture.

  7. step 07

    Refine the colors and values, adjusting as needed to create a harmonious composition.

  8. step 08

    Add final details and highlights to enhance the overall effect.

color palette

primary · titanium white · ivory black · yellow ochre · sap green

secondary · ultramarine blue · burnt umber

Mix various shades of gray by combining white and black. Achieve the green hues by mixing yellow ochre and sap green. Use ultramarine blue to create cooler tones in the sky and bridge.

techniques

  • ·geometric simplification
  • ·dry brush texture
  • ·limited palette
  • ·blocking in
  • ·angular brushstrokes

common pitfalls

  • →Overcomplicating the shapes
  • →Using too many colors
  • →Blending too much and losing the angularity
  • →Ignoring the value contrast

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·#4 flat brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·easel
  • ·medium gloss
  • ·rags

A square canvas works well for this composition. Consider using a slightly textured canvas to enhance the brushstroke visibility.

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related guides

oil painting for beginners →how to learn by studying the masters →
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