apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·On a Terrace
On a Terrace by Ernest Meissonier

plate no. 0431

On a Terrace

Ernest Meissonier, 1867

oilAcademicismgenre paintingfigurebrick wallskycloudslandscapeclothing
experienced study

Recreating this painting will help students develop skills in rendering realistic textures, particularly brick and fabric, and understanding complex light and shadow relationships on a figure.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the figure's pose and the perspective of the brick wall.

  2. step 02

    Block in the main color areas: sky, distant landscape, brick wall, and the figure's clothing.

  3. step 03

    Start refining the brick wall, adding variations in color and texture to create a realistic effect.

  4. step 04

    Develop the figure's form with careful attention to light and shadow, focusing on the folds and details of the clothing.

  5. step 05

    Work on the facial features, capturing the likeness and expression of the figure.

  6. step 06

    Add details such as the sword, hat, and other accessories.

  7. step 07

    Refine the sky and distant landscape, adding subtle variations in color and tone.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt sienna · ultramarine blue · titanium white · raw umber

secondary · cadmium red · yellow ochre · ivory black

Mix various shades of gray and brown by combining ultramarine blue, burnt sienna, and white. Use yellow ochre and cadmium red to create the warm tones of the brick.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the subtle color variations in the brick wall.
  • →Not paying enough attention to the anatomy and proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the initial values.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus