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home·artworks·Olivia Peyton Murray Cutting Wife of William Bayard
Olivia Peyton Murray Cutting Wife of William Bayard by Alexandre Cabanel

plate no. 0381

Olivia Peyton Murray Cutting Wife of William Bayard

Alexandre Cabanel, 1887

oilAcademicismportraitportraitfiguredressfanpearlscouch
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones, as well as techniques for depicting fabric and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background and main shapes of the figure with thin washes of color.

  3. step 03

    Establish the light and shadow patterns on the face and dress.

  4. step 04

    Begin layering colors to build up the skin tones, paying attention to subtle variations.

  5. step 05

    Develop the details of the dress, including the folds, highlights, and shadows.

  6. step 06

    Add details to the fan, lace, and jewelry.

  7. step 07

    Refine the background and add any remaining details.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · titanium white · alizarin crimson · yellow ochre · ivory black

secondary · viridian · raw umber · cadmium red light · ultramarine blue

Achieve the skin tones by mixing titanium white, yellow ochre, and alizarin crimson. Use ivory black sparingly to create shadows. The pink dress is achieved by mixing alizarin crimson and titanium white, adjusting the ratio for lighter and darker shades.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions of the figure
  • →Overly harsh or flat skin tones
  • →Lack of depth in the dress folds
  • →Ignoring subtle color variations

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·#2 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·turpentine
  • ·mahogany palette

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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