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home·artworks·Olive tree
Olive tree by Eva Janina Wieczorek

plate no. 1753

Olive tree

Eva Janina Wieczorek, 2009

oilSurrealismlandscapesand dunesfiguresbubblesskyolive treeshadows
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle variations in the sand dunes and practice painting figures with simple forms and shading. It also introduces the concept of surrealism and creating a dreamlike atmosphere.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the horizon line, sand dunes, figures, and the olive tree.

  2. step 02

    Block in the large areas of color for the sky, sand dunes, and figures using diluted paint.

  3. step 03

    Begin adding details to the sand dunes, focusing on creating depth and form with light and shadow.

  4. step 04

    Refine the figures, paying attention to proportions and creating smooth transitions in skin tones.

  5. step 05

    Paint the bubbles, using light blues and whites to create a sense of transparency and reflection.

  6. step 06

    Add details to the olive tree, including the leaves and trunk.

  7. step 07

    Create shadows to ground the figures and add depth to the scene.

  8. step 08

    Add final highlights and details to enhance the overall realism and surreal effect.

color palette

primary · yellow ochre · burnt sienna · titanium white · cerulean blue

secondary · raw umber · cadmium red light · sap green

Mix yellow ochre and burnt sienna with varying amounts of white to create the different shades of sand. Use cerulean blue and white for the sky, adding a touch of yellow ochre near the horizon. Mix red and white for the pink dress, and blue and white for the blue dress.

techniques

  • ·color blending
  • ·layering
  • ·scumbling
  • ·glazing
  • ·softening edges

common pitfalls

  • →Overworking the sand dunes, resulting in a flat and lifeless appearance.
  • →Failing to create smooth transitions in skin tones, leading to a patchy look.
  • →Making the bubbles too opaque, losing their transparency.
  • →Ignoring the importance of shadows in creating depth and realism.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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