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home·artworks·Olga Ivanovna Orlova-Davydova (Baryatinsky)
Olga Ivanovna Orlova-Davydova (Baryatinsky) by Christina Robertson

plate no. 4766

Olga Ivanovna Orlova-Davydova (Baryatinsky)

Christina Robertson, 1841

oilAcademicismportraitportraitfiguredresscurtainarchitecturebook
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric textures. It also provides practice in creating depth and atmosphere through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure, table, and background.

  2. step 02

    Establish the darkest and lightest values to define the overall contrast.

  3. step 03

    Block in the main areas of color, focusing on the dress, skin tones, and background.

  4. step 04

    Begin refining the details of the face, paying attention to the subtle shifts in value and color.

  5. step 05

    Develop the textures of the dress, fur trim, and curtains using layering and blending techniques.

  6. step 06

    Add details to the book and architectural elements.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · payne's gray · yellow ochre

Achieve the various shades of gray by mixing ivory black and titanium white in different proportions. Add small amounts of raw umber or yellow ochre to warm the grays for skin tones and architectural details.

techniques

  • ·grisaille underpainting
  • ·value studies
  • ·blending
  • ·layering
  • ·portraiture

common pitfalls

  • →Getting proportions wrong in the initial sketch.
  • →Overworking the details too early.
  • →Creating muddy or flat grays.
  • →Failing to capture the subtle nuances of skin tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·painting easel
  • ·mahl stick

Use a high-quality canvas primed with gesso. Consider using a limited palette to simplify the color mixing process.

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