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home·artworks·Old Schoolhouse, Ryders
Old Schoolhouse, Ryders by George Luks

plate no. 2941

Old Schoolhouse, Ryders

George Luks, 1929

oil, canvasNew Realismlandscapebuildingtreesflagskylandscapegrass
some experience helpful

Recreating this painting will help students develop skills in watercolor layering and capturing the essence of a scene with simplified shapes and colors. It also provides practice in depicting light and shadow to create depth.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the building, trees, and landscape, paying attention to proportions and placement.

  2. step 02

    Lightly wash the sky with a diluted blue watercolor.

  3. step 03

    Apply a light wash of yellow and green to the foreground and background fields.

  4. step 04

    Begin layering the colors of the building, starting with a light red wash and gradually adding darker shades to create depth and form.

  5. step 05

    Paint the trees, using a combination of greens and blues to create texture and volume.

  6. step 06

    Add the details of the flag, using red, white, and blue watercolors.

  7. step 07

    Define the shadows with a mix of blue and brown, paying attention to the direction of light.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · cerulean blue · yellow ochre · burnt sienna · sap green

secondary · ultramarine blue · cadmium red light · raw umber

Mix greens by combining yellow ochre and cerulean blue. Achieve darker shades of red by adding a touch of raw umber. Create shadows by mixing ultramarine blue and burnt sienna.

techniques

  • ·watercolor washes
  • ·layering
  • ·wet-on-dry
  • ·dry brush
  • ·color mixing

common pitfalls

  • →Overworking the painting and losing the freshness of the watercolor.
  • →Using too much water and causing the colors to bleed uncontrollably.
  • →Not planning the composition carefully and ending up with a cluttered or unbalanced painting.
  • →Applying colors too uniformly without considering the effects of light and shadow.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor paper (140lb)
  • ·round watercolor brushes (various sizes)
  • ·flat watercolor brush
  • ·palette
  • ·water container
  • ·masking tape
  • ·pencil

optional

  • ·palette knife
  • ·kneaded eraser
  • ·ruler

Use high-quality watercolor paints for best results. Stretch the watercolor paper before painting to prevent buckling.

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oil painting for beginners →how to learn by studying the masters →
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