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home·artworks·Oedipus Bids Farewell to Jocasta (study)
Oedipus Bids Farewell to Jocasta (study) by Alexandre Cabanel

plate no. 5293

Oedipus Bids Farewell to Jocasta (study)

Alexandre Cabanel, 1843

oil, canvasAcademicismmythological paintingfiguresarchitecturemythologygriefbuildingsdrama
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting complex emotions and narrative through visual elements.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and architectural elements.

  2. step 02

    Establish the main value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Begin blocking in the local colors of the figures' clothing and skin tones, paying attention to the light source.

  4. step 04

    Develop the drapery folds and shadows using darker values of the local colors.

  5. step 05

    Refine the facial features and expressions of the figures, capturing their emotions.

  6. step 06

    Add details to the architectural elements, such as the columns and buildings in the background.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · burnt umber · titanium white · cadmium red · ultramarine blue

secondary · yellow ochre · viridian green · raw sienna

Mix various shades of browns and grays by combining burnt umber, ultramarine blue, and titanium white. Use cadmium red and yellow ochre for warm skin tones, and add ultramarine blue for cooler shadows.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figures.
  • →Overly stiff or unnatural poses.
  • →Lack of depth and atmosphere.
  • →Muddy or unclear color mixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.

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