apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·No Passing
No Passing by Kay Sage

plate no. 6794

No Passing

Kay Sage, 1954

oilSurrealismcityscapebuildingscityscapeskyshadowsgeometric shapeslaundry
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing to create subtle tonal variations, and creating smooth gradients.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and perspective lines of the buildings and ground plane.

  2. step 02

    Block in the large areas of color, starting with the sky and then the buildings.

  3. step 03

    Refine the shapes of the buildings and add details like the laundry and supports.

  4. step 04

    Mix and apply subtle color variations to create depth and form.

  5. step 05

    Add shadows to define the shapes and create contrast.

  6. step 06

    Paint the details of the foreground elements, paying attention to their shapes and shadows.

  7. step 07

    Blend the edges of the shapes to create a smooth, surreal effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · gray · beige · pale green

secondary · white · burnt umber · raw sienna

Achieve the subtle grays and beiges by mixing white with small amounts of burnt umber, raw sienna, and ultramarine blue. The pale green can be created by mixing white, yellow ochre, and a touch of phthalo green.

techniques

  • ·glazing
  • ·color mixing
  • ·linear perspective
  • ·smooth blending
  • ·hard edge painting

common pitfalls

  • →Inaccurate perspective can ruin the illusion of depth.
  • →Overly harsh color transitions can detract from the surreal atmosphere.
  • →Neglecting subtle color variations can make the painting look flat.
  • →Getting the proportions of the buildings wrong.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Ultramarine blue oil paint
  • ·Yellow ochre oil paint
  • ·Phthalo green oil paint
  • ·Round brushes (sizes 2, 4, 6)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The flash

The flash

Rene Magritte

Distress Call

Distress Call

Kit Williams

Indian Summer

Indian Summer

Abdul Mati Klarwein

Cabaret (Visul lui Omero)

Cabaret (Visul lui Omero)

Jules Perahim

Remember

Remember

Sabin Balasa

Paris dream

Paris dream

Max Ernst

The Crisis

The Crisis

Sabin Balasa

The great table

The great table

Rene Magritte