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home·artworks·Nicolae Petraşcu in 'Hidalgo'
Nicolae Petraşcu in 'Hidalgo' by George Demetrescu Mirea

plate no. 2685

Nicolae Petraşcu in 'Hidalgo'

George Demetrescu Mirea

oilAcademicismportraitportraitfiguremanclothingchairlace
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating subtle value shifts to suggest form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background color with a thin wash of muted green and brown.

  3. step 03

    Block in the main areas of color: the dark suit, the white collar and shirt, and the flesh tones.

  4. step 04

    Begin refining the facial features, paying close attention to the light and shadow on the face.

  5. step 05

    Develop the details of the lace collar, using small brushstrokes to suggest the intricate pattern.

  6. step 06

    Add highlights and shadows to the suit to create depth and dimension.

  7. step 07

    Refine the chair and background, adding subtle details and textures.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · burnt sienna · viridian

Mix various shades of gray and brown by combining ivory black, raw umber, and titanium white. Use small amounts of cadmium red and yellow ochre to warm the flesh tones. Muted greens can be achieved by mixing viridian with raw umber and white.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·value studies
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the painting.

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oil painting for beginners →how to learn by studying the masters →
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