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home·artworks·Nature morte cubiste
Nature morte cubiste by Louis Marcoussis

plate no. 5106

Nature morte cubiste

Louis Marcoussis, 1914

oilCubismstill lifestill lifebottleglasscubestablegeometric shapes
some experience helpful

Recreating this painting will help students understand the principles of cubism, including breaking down objects into geometric forms and representing multiple viewpoints simultaneously. It will also improve their ability to create depth and form using subtle value changes within a limited color palette.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the geometric forms.

  2. step 02

    Block in the main areas of color with thin washes, establishing the overall value structure.

  3. step 03

    Begin to define the shapes of the bottle, glass, and cubes with darker values.

  4. step 04

    Add subtle variations in color and value to create depth and dimension.

  5. step 05

    Refine the edges of the shapes, paying attention to the overlapping planes.

  6. step 06

    Add details such as the highlights on the glass and the shadows cast by the cubes.

  7. step 07

    Adjust the overall color balance and value contrast to achieve a harmonious composition.

  8. step 08

    Add the signature 'MARCOUSSIS 1914'

color palette

primary · raw umber · burnt sienna · titanium white

secondary · ivory black · yellow ochre

Achieve the various shades of brown and beige by mixing raw umber, burnt sienna, and white in different proportions. Use small amounts of black to create darker values and shadows.

techniques

  • ·blocking in
  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·geometric abstraction

common pitfalls

  • →Overcomplicating the composition with too many details.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or bright.
  • →Losing the geometric forms in the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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