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home·artworks·Nature morte aux pommes
Nature morte aux pommes by Leon Arthur Tutundjian

plate no. 2830

Nature morte aux pommes

Leon Arthur Tutundjian, 1925

oilSurrealismstill lifeapplesstill lifefruittableabstractorganic shapes
some experience helpful

Recreating this painting will help students develop skills in layering washes, creating textures with dry brush techniques, and using line work to define shapes and add detail. It also encourages experimentation with unconventional color combinations and abstract representation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the circular table outline and the placement of the three apples.

  2. step 02

    Apply a thin wash of diluted brown or beige to the entire background, allowing it to dry completely.

  3. step 03

    Create textured effects in the background by blotting with a sponge or paper towel while the wash is still damp.

  4. step 04

    Begin layering washes of green, red, and yellow within the apple shapes, building up color intensity gradually.

  5. step 05

    Use a dry brush technique to add texture and detail to the apples, creating a spiky or fibrous appearance.

  6. step 06

    Mix darker shades of brown and black to add shadows and depth to the apples and the table.

  7. step 07

    Use a fine-tipped pen or brush to add linear details around the edges of the apples and the table, creating a sense of definition and outline.

  8. step 08

    Add final touches and highlights to enhance the overall composition.

color palette

primary · yellow ochre · sap green · burnt sienna · raw umber

secondary · ivory black · titanium white · light blue

Achieve the muted tones by mixing complementary colors and adding white or raw umber to dull the intensity. Experiment with layering transparent washes to create depth and complexity.

techniques

  • ·dry brushing
  • ·layering washes
  • ·blotting
  • ·pen and ink linework
  • ·color mixing

common pitfalls

  • →overworking the background texture
  • →using colors that are too saturated
  • →making the linework too heavy or uniform
  • →losing the organic shapes of the apples

materials

surface · watercolor paper 140lb or primed canvas

required

  • ·watercolor paper or canvas
  • ·watercolor paints or acrylic paints
  • ·round brushes (various sizes)
  • ·fine-tipped pen or brush
  • ·water container
  • ·palette

optional

  • ·sponge or paper towel
  • ·palette knife
  • ·masking fluid

Experiment with different types of paper or canvas to achieve varying textures. Use high-quality paints for better color vibrancy and longevity.

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oil painting for beginners →how to learn by studying the masters →
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