apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nativity
Nativity by Martin Schongauer

plate no. 2579

Nativity

Martin Schongauer, 1470

tempera, panelNorthern Renaissancereligious paintingfigureslandscapearchitecturereligiousnativityanimals
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating depth through atmospheric perspective. It also provides practice in mixing subtle color variations and achieving a sense of realism.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural structure, focusing on proportions and placement.

  2. step 02

    Block in the main color areas: red for the Virgin's robe, blue for Joseph's garment, and earth tones for the landscape and stable.

  3. step 03

    Begin refining the figures, paying attention to anatomical details and facial expressions.

  4. step 04

    Add layers of color to the drapery, creating folds and shadows to give volume.

  5. step 05

    Develop the background landscape, using lighter tones and less detail to create depth.

  6. step 06

    Paint the animals, focusing on their shapes and textures.

  7. step 07

    Add details to the stable structure, including the wooden beams and thatched roof.

  8. step 08

    Apply final highlights and shadows to enhance the overall realism and create a sense of light.

color palette

primary · red · blue · brown · ochre

secondary · white · grey · green · yellow

Achieve the rich reds by mixing a base red with touches of brown or black for shadows and white for highlights. Create the muted blues by mixing ultramarine with white and a touch of grey. The landscape uses a range of earth tones, mixed with greens and blues to create atmospheric perspective.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·atmospheric perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Incorrect proportions of figures
  • →Flat, lifeless drapery
  • →Lack of depth in the landscape
  • →Overly bright or saturated colors
  • →Ignoring subtle color variations

materials

surface · Linen panel

required

  • ·Tempera paints
  • ·Linen panel
  • ·Small round brushes
  • ·Medium flat brushes
  • ·Palette
  • ·Water
  • ·Soft cloth

optional

  • ·Palette knife
  • ·Retarder medium
  • ·Varnish

Tempera paints dry quickly, so work in small sections and keep your brushes clean. A linen panel provides a smooth surface for detailed work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Aristotle

Aristotle

Justus van Gent

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

The Man of Sorrows with the Virgin Mary and St. John the Evangelist

Martin Schongauer

The pride of the beggar sitting on the train of haughtiness

The pride of the beggar sitting on the train of haughtiness

Albrecht Altdorfer

Adoration of the Magi

Adoration of the Magi

Quentin Matsys

Christ on the Cross

Christ on the Cross

Albrecht Altdorfer

Frühling - Das Bereiten Der Blumenbeete

Frühling - Das Bereiten Der Blumenbeete

Pieter Brueghel the Younger

Group of Men

Group of Men

Rogier van der Weyden

Madonna and Child Holding a Pear

Madonna and Child Holding a Pear

Bernard Van Orley