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home·artworks·Napoleon crossing the Alps
Napoleon crossing the Alps by Paul Delaroche

plate no. 9376

Napoleon crossing the Alps

Paul Delaroche, 1850

oil, canvasAcademicismhistory paintingfigurehorsemountainsnowhistoricallandscape
experienced study

Recreating this painting will help students develop skills in portraiture, animal anatomy, and rendering atmospheric perspective. It also provides practice in mixing subtle color variations to depict light and shadow on snow and fabric.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the horse.

  2. step 02

    Block in the main shapes and colors, starting with the background mountains and sky.

  3. step 03

    Develop the values and details of the snow and rocks, paying attention to the light and shadow.

  4. step 04

    Begin to refine the figures, starting with Napoleon's face and clothing.

  5. step 05

    Add details to the horse, including its musculature and the texture of its coat.

  6. step 06

    Paint the supporting figure and the other riders in the background.

  7. step 07

    Refine the details and add highlights to create a sense of depth and realism.

  8. step 08

    Add final touches and glazes to unify the painting.

color palette

primary · ivory black · raw umber · titanium white · cadmium red light

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix various shades of gray and brown by combining black, white, and umber. Use small amounts of blue and red to create subtle color variations in the snow and sky. Mix flesh tones with white, red, yellow ochre, and a touch of umber.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of the figures or horse.
  • →Overly harsh or muddy colors.
  • →Lack of depth and atmospheric perspective.
  • →Insufficient attention to detail in the faces and clothing.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (ivory black, raw umber, titanium white, cadmium red light, yellow ochre, ultramarine blue, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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