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home·artworks·My Secret Friends
My Secret Friends by Julio Galan

plate no. 2312

My Secret Friends

Julio Galan, 1992

oilSurrealismportraitfigureportraitribbonsuittableabstract
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding surrealist composition and symbolism. Students will also learn how to create depth and texture using layering and glazing techniques.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the figure, table, and background elements, paying attention to proportions.

  2. step 02

    Block in the main areas of color, starting with the background and then moving to the figure's skin and clothing.

  3. step 03

    Begin layering and blending colors to create depth and form in the figure's face and clothing.

  4. step 04

    Add details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness of the subject.

  5. step 05

    Paint the ribbon and other surreal elements, paying attention to their texture and form.

  6. step 06

    Add highlights and shadows to create contrast and dimension throughout the painting.

  7. step 07

    Refine the details and make any necessary adjustments to the composition.

  8. step 08

    Add final touches, such as the writing and any other small details.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red · yellow ochre

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use small amounts of ultramarine blue and cadmium red to create subtle variations in skin tone and clothing.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·portraiture
  • ·surrealism

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the painting and losing the freshness of the initial layers.
  • →Failing to capture the likeness of the subject.
  • →Not creating enough contrast and depth in the painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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