apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mustapha Khaznadar
Mustapha Khaznadar by Charles-Philippe Lariviere

plate no. 6345

Mustapha Khaznadar

Charles-Philippe Lariviere, 1846

oilAcademicismportraitportraitfiguremilitary uniformcolumncurtainsword
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and details in clothing and accessories. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and colors, focusing on the large areas of the background, clothing, and skin tones.

  3. step 03

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  4. step 04

    Develop the details of the uniform, including the gold embroidery, buttons, and medals.

  5. step 05

    Add highlights and shadows to create a sense of depth and dimension.

  6. step 06

    Work on the background details, such as the column and curtain, to create a sense of atmosphere.

  7. step 07

    Refine the overall painting, making adjustments to the colors, values, and details as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · Prussian Blue · Burnt Umber · Titanium White · Cadmium Red

secondary · Yellow Ochre · Ivory Black

Mix various shades of blue and brown to achieve the dark tones of the uniform. Use white to lighten the skin tones and create highlights. Mix yellow ochre and burnt umber for the gold details.

techniques

  • ·Portraiture
  • ·Blending
  • ·Layering
  • ·Glazing
  • ·Rendering of metallic details

common pitfalls

  • →Incorrect proportions of the figure.
  • →Difficulty capturing the likeness of the subject.
  • →Overworking the details, resulting in a stiff or unnatural appearance.
  • →Inaccurate color mixing, leading to a muddy or unrealistic palette.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (Prussian Blue, Burnt Umber, Titanium White, Cadmium Red, Yellow Ochre, Ivory Black)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Easel

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Detail brushes

Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus