
plate no. 9805
Eugene de Blaas, 1900
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering delicate fabrics and textures.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure, hat, and dress.
Establish the background tone with a thin wash of color.
Block in the main areas of color for the skin, hair, dress, and hat.
Begin refining the facial features, paying close attention to light and shadow.
Develop the folds and patterns in the dress, focusing on the interplay of light and shadow.
Add details to the hat, flowers, and feathers, using smaller brushes.
Refine the overall composition, adjusting values and colors as needed.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · yellow ochre · viridian · alizarin crimson
secondary · ultramarine blue · burnt umber · cadmium yellow
Achieve skin tones by mixing white, yellow ochre, and a touch of alizarin crimson. Create the green in the dress by mixing viridian with yellow ochre and white. Use ultramarine blue and burnt umber for the darker background tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to improve the flow and blending of the paints.
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