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home·artworks·Mujer sentada
Mujer sentada by Wifredo Lam

plate no. 7637

Mujer sentada

Wifredo Lam, 1955

oilSurrealismportraitfigureportraitchairdressabstractseated
some experience helpful

Recreating this painting will help students develop skills in contour drawing, simplified form representation, and creating subtle value gradations with a limited color palette. It also encourages exploration of abstracting the human form.

technical profile

palette complexity
2
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair using a pencil.

  2. step 02

    Define the main contours of the figure, focusing on the overall gesture and pose.

  3. step 03

    Add the details of the dress and facial features, simplifying the forms as needed.

  4. step 04

    Mix a light grey wash using titanium white and a touch of black or burnt umber.

  5. step 05

    Apply the grey wash to the background and figure, creating subtle value variations.

  6. step 06

    Use a darker grey or black to add shadows and define the contours further.

  7. step 07

    Add hints of blue or green to the background to create depth.

  8. step 08

    Refine the details and adjust the values as needed to achieve the desired effect.

color palette

primary · titanium white · ivory black · burnt umber

secondary · ultramarine blue · sap green

Create various shades of grey by mixing titanium white with small amounts of black or burnt umber. Add tiny amounts of blue or green to the grey to create subtle color variations.

techniques

  • ·contour drawing
  • ·value shading
  • ·dry brushing
  • ·glazing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using too much color and deviating from the limited palette.
  • →Not paying attention to the proportions and gesture of the figure.
  • →Making the values too dark or too light, losing the subtle gradations.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencil
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·round brushes (small and medium)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·ultramarine blue oil paint
  • ·sap green oil paint

A toned canvas can be helpful for establishing the mid-tones. Use a light grey or beige tone.

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oil painting for beginners →how to learn by studying the masters →
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