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home·artworks·Mrs Vigee-Lebrun and her daughter, Jeanne-Lucie-Louise
Mrs Vigee-Lebrun and her daughter, Jeanne-Lucie-Louise by Louise Elisabeth Vigee Le Brun

plate no. 6385

Mrs Vigee-Lebrun and her daughter, Jeanne-Lucie-Louise

Louise Elisabeth Vigee Le Brun, 1786

oil, woodRococoself-portraitfigureportraitmotherchilddressfabric
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as rendering drapery and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and proportions of the figures and background.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle variations in light and shadow.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures of the fabric.

  5. step 05

    Refine the facial features, capturing the likeness and expressions of the subjects.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Work on the background, ensuring it complements the figures without distracting from them.

  8. step 08

    Make final adjustments to the composition, color, and details.

color palette

primary · titanium white · ivory black · yellow ochre · ultramarine blue

secondary · burnt umber · cadmium red light · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red; use ultramarine blue and ivory black for the darker blues of the dress; create the golden fabric with yellow ochre, burnt umber, and a touch of red.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·drapery rendering

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subjects.
  • →Ignoring the subtle variations in color and value.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

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oil painting for beginners →how to learn by studying the masters →
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