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home·artworks·Mrs. Thomas Leiper and Her Daughter, Helen Hamilton Leiper
Mrs. Thomas Leiper and Her Daughter, Helen Hamilton Leiper by Charles Willson Peale

plate no. 7295

Mrs. Thomas Leiper and Her Daughter, Helen Hamilton Leiper

Charles Willson Peale, 1794

oilRococoportraitportraitfiguresmotherchildclothinghair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It also provides practice in rendering fabric and creating a sense of depth through value changes.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figures, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background with a thin wash of muted green and brown tones.

  3. step 03

    Block in the main areas of color for the skin, clothing, and hair, using a limited palette.

  4. step 04

    Begin to refine the skin tones, using subtle gradations of color to create form and volume.

  5. step 05

    Add details to the clothing, such as the folds and highlights in the fabric.

  6. step 06

    Work on the hair, using small brushstrokes to create texture and movement.

  7. step 07

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · alizarin crimson · ivory black

Skin tones are achieved by mixing titanium white, cadmium red light, yellow ochre, and a touch of raw umber. The purple in the dress is achieved by mixing alizarin crimson and ultramarine blue with white. The background is a mix of raw umber, ivory black, and a touch of green.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the skin tones and making them look muddy.
  • →Failing to create a sense of depth and volume.
  • →Ignoring the subtle variations in color and value.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·ivory black oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.

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oil painting for beginners →how to learn by studying the masters →
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