
plate no. 7295
Charles Willson Peale, 1794
Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle blending of skin tones. It also provides practice in rendering fabric and creating a sense of depth through value changes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures, paying attention to their relative sizes and positions.
Establish the background with a thin wash of muted green and brown tones.
Block in the main areas of color for the skin, clothing, and hair, using a limited palette.
Begin to refine the skin tones, using subtle gradations of color to create form and volume.
Add details to the clothing, such as the folds and highlights in the fabric.
Work on the hair, using small brushstrokes to create texture and movement.
Refine the facial features, paying close attention to the eyes, nose, and mouth.
Add final details and highlights to complete the painting.
color palette
primary · titanium white · raw umber · cadmium red light · yellow ochre
secondary · ultramarine blue · alizarin crimson · ivory black
Skin tones are achieved by mixing titanium white, cadmium red light, yellow ochre, and a touch of raw umber. The purple in the dress is achieved by mixing alizarin crimson and ultramarine blue with white. The background is a mix of raw umber, ivory black, and a touch of green.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium such as linseed oil can be used to thin the paints and improve their flow.
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