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home·artworks·Mrs. Thomas Ellott (Mary Chase)
Mrs. Thomas Ellott (Mary Chase) by Charles Willson Peale

plate no. 3123

Mrs. Thomas Ellott (Mary Chase)

Charles Willson Peale, 1787

oilRococoportraitportraitfiguredressbooktablebackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabrics with subtle color variations. It also offers practice in creating depth through atmospheric perspective in the background.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, book, and table.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.

  3. step 03

    Block in the main colors of the skin, dress, shawl, book, and background.

  4. step 04

    Refine the facial features, paying close attention to the subtle shifts in value and color.

  5. step 05

    Develop the details of the dress and shawl, including the patterns and folds.

  6. step 06

    Add the details of the book and eyeglasses, focusing on the highlights and shadows.

  7. step 07

    Soften edges and blend colors to create a smooth, realistic effect.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red light · ultramarine blue · raw sienna

Achieve skin tones by mixing white, yellow ochre, and a touch of red. Use burnt umber and black to create the dark background. Mix white with small amounts of other colors to create the light fabrics.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early in the process.
  • →Creating muddy colors by overmixing.
  • →Failing to create a sense of depth in the background.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint

Use high-quality oil paints for best results. A medium can be used to thin the paints and improve blending.

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