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home·artworks·Mrs. Mary Robinson ('Perdita')
Mrs. Mary Robinson ('Perdita') by Thomas Gainsborough

plate no. 6314

Mrs. Mary Robinson ('Perdita')

Thomas Gainsborough, 1781

oil, canvasRococoportraitportraitfiguredoglandscapetreesdress
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating atmospheric perspective in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes: figure, dog, and background elements.

  2. step 02

    Block in the main color areas with thin washes of paint, focusing on the overall values.

  3. step 03

    Develop the background landscape, paying attention to atmospheric perspective and softening edges.

  4. step 04

    Begin building up the form of the figure, focusing on the light and shadow patterns on the face and dress.

  5. step 05

    Add details to the dress, capturing the texture of the lace and fabric folds.

  6. step 06

    Refine the features of the face and the fur of the dog, using small brushstrokes.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors and values to achieve a harmonious composition.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · ultramarine blue · rose madder · sap green

Achieve the subtle skin tones by mixing white, yellow ochre, and a touch of rose madder. Use ultramarine blue and raw umber to create muted greens for the landscape.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·atmospheric perspective
  • ·rendering fabric

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the likeness of the portrait subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, raw umber, titanium white, ultramarine blue, rose madder, sap green)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted round and flat brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages of painting.

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