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home·artworks·Mrs. John O'Donnell (Sarah Chew Elliott)
Mrs. John O'Donnell (Sarah Chew Elliott) by Charles Willson Peale

plate no. 1095

Mrs. John O'Donnell (Sarah Chew Elliott)

Charles Willson Peale, 1787

oilRococoportraitportraitwomandresslandscapejewelryribbon
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone blending, as well as rendering fabric and details like jewelry.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Block in the background with thin washes of color, establishing the overall tone.

  3. step 03

    Begin layering the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the dress, paying attention to the folds and highlights to create a sense of volume.

  5. step 05

    Add the ribbon, carefully blending the colors to create a soft, flowing effect.

  6. step 06

    Paint the chair and other details, such as the jewelry and the landscape elements.

  7. step 07

    Refine the details and add finishing touches, such as highlights and shadows.

  8. step 08

    Glaze to unify the painting and adjust the colors as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red light

secondary · viridian · ultramarine blue · alizarin crimson

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and umber. The dress is primarily white with subtle variations of yellow and gray. The ribbon is a mix of red and white with touches of umber for shadows.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering fabric

common pitfalls

  • →Incorrect proportions
  • →Muddy skin tones
  • →Overly harsh blending
  • →Lack of attention to detail

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Oil paints (titanium white, yellow ochre, burnt umber, cadmium red light, viridian, ultramarine blue, alizarin crimson)
  • ·Assorted brushes (round and flat, sizes 2-8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Easel

optional

  • ·Retouch varnish
  • ·Medium gloss
  • ·Mahogany palette

Use high-quality oil paints for best results. Consider using a medium to improve the flow of the paint and create a smoother finish.

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oil painting for beginners →how to learn by studying the masters →
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