apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mrs. Ellinor Guthrie
Mrs. Ellinor Guthrie by Frederic Leighton

plate no. 0539

Mrs. Ellinor Guthrie

Frederic Leighton

oilAcademicismportraitportraitfiguredressflowerstablechair
experienced study

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and subtle skin tones, as well as rendering complex drapery and fabric textures with light and shadow. It also provides practice in composing a scene with multiple elements and creating a sense of depth.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the dress, the table, flowers, and chair.

  2. step 02

    Establish the background with broad, blended strokes of muted browns and grays.

  3. step 03

    Block in the main colors of the dress, focusing on the dark values and the overall form.

  4. step 04

    Start building up the highlights and shadows on the dress to create the illusion of folds and fabric texture.

  5. step 05

    Paint the skin tones of the face and hands, paying close attention to subtle color variations and highlights.

  6. step 06

    Add details to the flowers and the table, focusing on the shapes and colors of the individual blooms.

  7. step 07

    Refine the details of the chair and the background, adding depth and texture.

  8. step 08

    Add final highlights and shadows to enhance the overall realism and create a sense of depth.

color palette

primary · ivory black · raw umber · burnt sienna · titanium white

secondary · cadmium yellow · alizarin crimson · ultramarine blue

Achieve the dress's dark, shimmering quality by mixing ivory black with raw umber and small amounts of ultramarine blue. Use white to create highlights and subtle variations in tone. Mix crimson and yellow for the flowers.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to capture the subtle variations in skin tone.
  • →Creating a flat, lifeless dress by neglecting the highlights and shadows.
  • →Getting lost in the details of the flowers and losing sight of the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider using a toned canvas to create a warmer base.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of a Young Woman

Portrait of a Young Woman

George Demetrescu Mirea

My daughters, Eva and Jeanne

My daughters, Eva and Jeanne

Diogène Maillart

The Reluctant Bride

The Reluctant Bride

Auguste Toulmouche

The Proposal

The Proposal

Wladyslaw Czachorski

The Dressing Room

The Dressing Room

Henri-Pierre Picou

Girl with pinks

Girl with pinks

Wladyslaw Czachorski

Self-Portrait

Self-Portrait

George Demetrescu Mirea

The age

The age

Ludwig Knaus