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home·artworks·Mrs. and Miss Macklin, with Miss Potts
Mrs. and Miss Macklin, with Miss Potts by Joshua Reynolds

plate no. 5518

Mrs. and Miss Macklin, with Miss Potts

Joshua Reynolds, 1788

oil, canvasRococoportraitfigureslandscapearchitectureanimalsspinning wheelportrait
experienced study

Recreating this painting will help students develop skills in portraiture, figure drawing, and creating atmospheric perspective. It also provides practice in rendering fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the main elements of the background.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Begin building up the forms of the figures, paying attention to the light and shadow.

  4. step 04

    Develop the background, creating depth and atmosphere with layers of color and soft blending.

  5. step 05

    Add details to the figures, such as facial features, clothing folds, and hair.

  6. step 06

    Paint the spinning wheel and other objects, focusing on their textures and forms.

  7. step 07

    Refine the details and adjust the values to create a sense of harmony and balance.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · burnt sienna · raw umber · ivory black · titanium white

secondary · yellow ochre · cadmium red · viridian

Achieve skin tones by mixing burnt sienna, raw umber, and white, with touches of cadmium red for warmth. Create atmospheric perspective by adding blue and white to the background colors.

techniques

  • ·portraiture
  • ·figure drawing
  • ·atmospheric perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Failing to create a convincing sense of depth and atmosphere.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt sienna, raw umber, ivory black, titanium white, yellow ochre, cadmium red, viridian)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer of paint to dry before applying the next.

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oil painting for beginners →how to learn by studying the masters →
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