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home·artworks·Mrs. Alexander Hamilton
Mrs. Alexander Hamilton by Ralph Earl

plate no. 8090

Mrs. Alexander Hamilton

Ralph Earl, 1787

oilRococoportraitportraitfiguredresschairlacehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing subtle skin tones and rendering delicate fabrics like lace. It also provides practice in creating a sense of depth and form through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with broad, muted tones.

  3. step 03

    Block in the main shapes of the figure, including the dress, hair, and face.

  4. step 04

    Begin refining the skin tones, paying attention to subtle shifts in value and color.

  5. step 05

    Add details to the dress, including the lace and ribbon.

  6. step 06

    Work on the hair, creating volume and texture with careful brushstrokes.

  7. step 07

    Refine the facial features, focusing on capturing the likeness of the subject.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · titanium white · ivory black · raw umber · cadmium red

secondary · viridian · yellow ochre · alizarin crimson

Achieve skin tones by mixing white, yellow ochre, and a touch of red and umber. Use black and umber to create shadows and depth. Mix white with small amounts of other colors to create the dress and hair.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·value study

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring subtle shifts in value and color, leading to a lack of depth.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (titanium white, ivory black, raw umber, cadmium red, yellow ochre, alizarin crimson, viridian)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of raw umber before beginning.

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oil painting for beginners →how to learn by studying the masters →
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