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home·artworks·Mr. and Mrs. Alexander Robinson
Mr. and Mrs. Alexander Robinson by Charles Willson Peale

plate no. 2862

Mr. and Mrs. Alexander Robinson

Charles Willson Peale, 1795

oilRococoportraitfiguresportraitclothinghairlandscapesky
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering of skin tones, as well as blending techniques for creating soft transitions and subtle shadows.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Develop the background with soft, blended brushstrokes.

  4. step 04

    Refine the skin tones, paying attention to subtle variations in color and value.

  5. step 05

    Add details to the clothing, hair, and accessories.

  6. step 06

    Create the highlights and shadows to define the forms and add depth.

  7. step 07

    Refine the facial features, capturing the likeness of the subjects.

  8. step 08

    Add final details and adjust values as needed to create a cohesive and polished painting.

color palette

primary · ivory black · titanium white · yellow ochre · raw umber

secondary · cadmium red light · ultramarine blue · burnt sienna

Achieve skin tones by mixing white, yellow ochre, a touch of red, and a hint of umber or blue. Use ivory black and raw umber for dark clothing, lightened with white for highlights. Mix ultramarine blue with white and a touch of yellow ochre for the sky.

techniques

  • ·portraiture
  • ·blending
  • ·value studies
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Incorrect proportions, leading to inaccurate likenesses.
  • →Neglecting the value structure, resulting in a flat and lifeless painting.
  • →Overworking details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·damar varnish

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve blending and flow.

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