apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountains in the snow
Mountains in the snow by Hiroshige

plate no. 9069

Mountains in the snow

Hiroshige

oilUkiyo-elandscapemountainsseatreesskyrockslandscape
some experience helpful

Recreating this painting will help students develop skills in creating depth using line work and understanding atmospheric perspective with a limited color palette. Students will also learn to simplify complex forms into basic shapes and lines.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, sea, and rocks.

  2. step 02

    Apply a base layer of light blue to the sea, creating a gradient from dark to light.

  3. step 03

    Apply a light grey wash to the sky, leaving some areas lighter to suggest clouds.

  4. step 04

    Paint the mountains with a very light beige/white, leaving areas for shadows.

  5. step 05

    Add details to the mountains with thin black lines to define ridges and textures.

  6. step 06

    Paint small clusters of trees on the mountainside using short, broken lines.

  7. step 07

    Add horizontal lines to the sea to represent waves, varying the thickness and spacing.

  8. step 08

    Outline the rocks in the sea with black ink, adding some shading to suggest form.

color palette

primary · light blue · light grey · beige/white

secondary · black

Mix the light blue by diluting a darker blue with white. The light grey can be achieved by mixing a small amount of black with white.

techniques

  • ·linear perspective
  • ·atmospheric perspective
  • ·simplified shapes
  • ·line drawing
  • ·gradient wash

common pitfalls

  • →Overworking the details, keep the lines simple and minimal.
  • →Making the colors too saturated, aim for muted and subtle tones.
  • →Not creating enough contrast in the sea, the gradient is important for depth.
  • →Making the mountain outlines too uniform, vary the line weight.

materials

surface · Watercolor paper 140lb

required

  • ·Watercolor paints or acrylics
  • ·Round brush size 2
  • ·Round brush size 6
  • ·Black ink
  • ·Fine liner brush
  • ·Water
  • ·Palette
  • ·Paper or canvas

optional

  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use a smooth paper for best results with the ink lines. Consider using a reference photo of mountains to help with the line work.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

14. Temple Gardens in Nippori

14. Temple Gardens in Nippori

Hiroshige

8. Suruga Chō

8. Suruga Chō

Hiroshige

Travels Looking at Mt. Fuji

Travels Looking at Mt. Fuji

Kitagawa Utamaro

The Letter

The Letter

Utagawa Kunisada

Jeu Princier. Mongol

Jeu Princier. Mongol

Paul Jacoulet

Looking as if she is enjoying herself - a teacher of the Keisei era

Looking as if she is enjoying herself - a teacher of the Keisei era

Tsukioka Yoshitoshi

Ariwara no Yukihira

Ariwara no Yukihira

Tsukioka Yoshitoshi

The Ghost

The Ghost

Utagawa Kunisada