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home·artworks·Mountain Range
Mountain Range by Albrecht Altdorfer

plate no. 2588

Mountain Range

Albrecht Altdorfer, 1530

oil, woodNorthern Renaissancelandscapemountainstreeslandscapeskyfoliageriver
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering techniques to create depth. Students will also learn how to mix subtle color variations to represent light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic mountain shapes and river flow with light pencil lines.

  2. step 02

    Block in the sky with a thin layer of light blue and violet.

  3. step 03

    Establish the darkest values in the foreground trees and shadows using dark greens and browns.

  4. step 04

    Gradually build up the mountain forms, layering lighter tones of gray and blue to create atmospheric perspective.

  5. step 05

    Add details to the trees and foliage, varying the brushstrokes to create texture.

  6. step 06

    Define the river with reflections and highlights, using lighter blues and greens.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to create a sense of realism.

color palette

primary · Prussian Blue · Titanium White · Burnt Umber · Sap Green

secondary · Yellow Ochre · Cadmium Yellow · Alizarin Crimson · Violet

Mix various shades of green by combining Prussian Blue, Yellow Ochre, and Burnt Umber. Create atmospheric perspective by adding white to the blues and greens for distant mountains.

techniques

  • ·Layering
  • ·Glazing
  • ·Dry brushing
  • ·Atmospheric perspective
  • ·Color mixing

common pitfalls

  • →Overworking the details in the foreground.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much pure color without mixing.
  • →Not establishing a strong value structure early on.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (Prussian Blue, Titanium White, Burnt Umber, Sap Green, Yellow Ochre)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Retouch varnish
  • ·Easel

Use a medium-tooth canvas for best results. Allow each layer of paint to dry before applying the next.

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