apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mother and Child
Mother and Child by Vicente Manansala

plate no. 7749

Mother and Child

Vicente Manansala, 1981

oilCubismgenre paintingfiguremotherchildportraitfamilycubism
some experience helpful

Recreating this painting will help students understand color mixing for skin tones and practice simplifying complex forms into geometric shapes. It also provides an opportunity to study the relationships between figures in a composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the mother and child, focusing on the overall composition.

  2. step 02

    Divide the composition into larger geometric planes, simplifying the forms.

  3. step 03

    Block in the main color areas with thin washes, starting with the lightest tones.

  4. step 04

    Gradually build up the darker values, paying attention to the subtle shifts in color temperature.

  5. step 05

    Refine the shapes and edges, using slightly thicker paint and more defined brushstrokes.

  6. step 06

    Add details such as the facial features and the folds in the clothing.

  7. step 07

    Adjust the overall color balance and value contrast to create a harmonious composition.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and form.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · violet

Mix various shades of skin tones by combining white, raw umber, and small amounts of cadmium red. Use ultramarine blue and cadmium red to create violets for shadows and clothing.

techniques

  • ·color mixing
  • ·geometric abstraction
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Overcomplicating the shapes
  • →Using too much detail
  • →Creating muddy colors
  • →Ignoring the underlying structure of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oils)

optional

  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Komposition

Komposition

Leo Leuppi

Landscape near Martigues

Landscape near Martigues

Andre Derain

Windmill

Windmill

Amadeo de Souza-Cardoso

Untitled (Husain's Family)

Untitled (Husain's Family)

M.F. Husain

At the bar

At the bar

Carlos Saenz de Tejada

Figures by a Rock Pool

Figures by a Rock Pool

Dorrit Black

Postava

Postava

Josef Capek

Gelmeroda III

Gelmeroda III

Lyonel Feininger