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Mother and Child by Paul Delaroche

plate no. 9356

Mother and Child

Paul Delaroche

oilAcademicismgenre paintingfiguremotherchildrenportraitclothinghair
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering skin tones and soft drapery. It also provides practice in creating a harmonious composition with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes.

  3. step 03

    Begin refining the skin tones, paying close attention to subtle color variations and highlights.

  4. step 04

    Develop the drapery, focusing on the folds and how they catch the light.

  5. step 05

    Add details to the faces, including the eyes, nose, and mouth.

  6. step 06

    Refine the background, ensuring it complements the figures without distracting from them.

  7. step 07

    Add final highlights and details to create a sense of depth and realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a soft, luminous effect.

color palette

primary · titanium white · yellow ochre · burnt sienna · ivory black

secondary · cadmium red light · ultramarine blue

Skin tones are achieved by mixing white, yellow ochre, and a touch of red and burnt sienna. Shadows are created by adding small amounts of black or blue to the skin tone mixture. Drapery colors are mixed from the primary colors, adjusting the ratios to create variations in hue and value.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·chiaroscuro
  • ·drapery study

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to establish a clear value structure, leading to a lack of depth.
  • →Ignoring the subtle color variations in the skin and drapery.
  • →Getting the proportions of the figures wrong, which can be difficult to correct later.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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