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home·artworks·Moonlight - Chepstow Castle
Moonlight - Chepstow Castle by John Martin

plate no. 7120

Moonlight - Chepstow Castle

John Martin, 1815

oilRomanticismlandscapecastlelandscapemountainsfiguresruinssky
some experience helpful

This painting provides practice in atmospheric perspective and creating depth through value changes. Students can learn to simplify complex forms and create a sense of drama through light and shadow.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the castle, mountains, and foreground elements.

  2. step 02

    Establish the overall value structure with a thin wash, darkest in the foreground and lightest in the sky.

  3. step 03

    Build up the darker areas of the landscape, focusing on the shapes of the rocks and foliage.

  4. step 04

    Add details to the castle, paying attention to the textures and forms of the stonework.

  5. step 05

    Introduce the figures and animals, keeping them small and simple.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and atmosphere.

  7. step 07

    Glaze with thin washes to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw umber · ivory black · titanium white

secondary · yellow ochre · burnt sienna

Use white to create a range of grays and browns. Mix small amounts of yellow ochre or burnt sienna to warm up the grays.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·value studies
  • ·scumbling

common pitfalls

  • →Overworking the details in the foreground.
  • →Creating too much contrast in the background.
  • →Losing the sense of atmosphere.
  • →Making the colors too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (small and medium)
  • ·linseed oil
  • ·palette
  • ·palette knife

optional

  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·retouch varnish

A toned canvas (lightly tinted with raw umber) can be helpful for establishing the initial value structure.

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oil painting for beginners →how to learn by studying the masters →
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