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home·artworks·Montmartre
Montmartre by Pierre-Jacques Pelletier

plate no. 5122

Montmartre

Pierre-Jacques Pelletier

canvas, oilImpressionismcityscapecityscapebuildingsstreetskyarchitectureurban
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and creating depth through tonal variations. Students will also learn to simplify complex architectural forms into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the street, paying attention to perspective.

  2. step 02

    Establish the overall value structure by blocking in the sky and the general tones of the buildings and street with thin washes.

  3. step 03

    Begin building up the darker values in the foreground and gradually lighten the values as you move towards the background to create atmospheric perspective.

  4. step 04

    Add details to the buildings, such as windows and architectural features, using small brushstrokes and varying values.

  5. step 05

    Create the impression of wetness on the street by adding highlights and reflections with light-colored paint.

  6. step 06

    Refine the brushwork and add texture to the buildings and street using thicker paint and visible brushstrokes.

  7. step 07

    Adjust the overall color balance and value relationships to create a harmonious and unified painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · burnt sienna

secondary · ultramarine blue · cadmium yellow

Achieve the muted tones by mixing the primary colors with white and small amounts of blue and yellow. Use more white for the sky and distant buildings to create atmospheric perspective.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Failing to create a strong sense of depth and atmospheric perspective.
  • →Using colors that are too saturated and not muted enough.
  • →Ignoring the importance of value relationships in creating form and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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