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home·artworks·Mohini and Rugmangada to kill his own son Raja Ravi Varma
Mohini and Rugmangada to kill his own son Raja Ravi Varma by Raja Ravi Varma

plate no. 1406

Mohini and Rugmangada to kill his own son Raja Ravi Varma

Raja Ravi Varma, 1899

oilAcademicismmythological paintingfiguresinteriorarchitecturemythologyclothingtemple
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery, and creating a sense of depth through atmospheric perspective. It also provides practice in rendering complex architectural details and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architecture.

  2. step 02

    Block in the main shapes and colors, focusing on the overall value structure.

  3. step 03

    Refine the figures, paying attention to anatomy, drapery folds, and facial expressions.

  4. step 04

    Add details to the architecture, including the columns, carvings, and steps.

  5. step 05

    Develop the background and create a sense of depth through atmospheric perspective.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Refine the details and textures, such as the clothing, jewelry, and architectural elements.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · red ochre · raw umber · ivory black · titanium white

secondary · cadmium yellow · viridian · alizarin crimson

Achieve skin tones by mixing red ochre, raw umber, and titanium white. Create variations in the red fabrics by adding alizarin crimson or ivory black. Mix greens for the drapery using viridian and cadmium yellow.

techniques

  • ·figure drawing
  • ·drapery
  • ·atmospheric perspective
  • ·glazing
  • ·rendering textures

common pitfalls

  • →Incorrect proportions of figures
  • →Overly stiff or unnatural poses
  • →Lack of depth in the background
  • →Inaccurate rendering of architectural details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall value structure.

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oil painting for beginners →how to learn by studying the masters →
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