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home·artworks·Miss Mary Edwards
Miss Mary Edwards by William Hogarth

plate no. 7256

Miss Mary Edwards

William Hogarth, 1742

oil, canvasRococoportraitportraitfiguredogdresslaceinterior
experienced study

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering fabric textures. It also provides practice in creating a sense of depth and atmosphere through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes and proportions of the figure, dog, and background elements.

  2. step 02

    Establish the overall value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Start building up the colors of the dress, focusing on capturing the subtle variations in hue and value.

  4. step 04

    Pay close attention to the details of the face, carefully rendering the features and skin tones.

  5. step 05

    Work on the lace and jewelry, using small brushes to create delicate details.

  6. step 06

    Capture the likeness and texture of the dog's fur.

  7. step 07

    Refine the background elements, adding details to the globe, busts, and curtain.

  8. step 08

    Add final highlights and shadows to enhance the sense of depth and realism.

color palette

primary · red ochre · ivory black · titanium white

secondary · yellow ochre · raw umber · ultramarine blue

Mix various shades of red by combining red ochre with ivory black and titanium white. Use yellow ochre and raw umber to create warm browns for the background and skin tones. Add small amounts of ultramarine blue to darken shadows and create cool tones.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·blending
  • ·rendering lace

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversaturating the colors, especially the red of the dress.
  • →Failing to capture the subtle value changes that create depth.
  • →Getting lost in the details before establishing the overall composition.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (red ochre, ivory black, titanium white, yellow ochre, raw umber, ultramarine blue)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-tooth canvas will provide a good surface for building up layers of paint.

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